APG News

BOMBHEAD

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BOMBHEAD is a thematic exhibition organized by guest curator John O’Brian that explores the emergence and impact of the nuclear age as represented by artists and their art. Strongly associated with obliteration and destruction, nuclear technologies have had a profound cultural and ecological impact since their development in the mid-20th century.

Encompassing the pre- and postwar period from the bombing of Hiroshima and Nagasaki in 1945 to the triple meltdown at Fukushima Daiichi in 2011, BOMBHEAD brings together paintings, drawings, prints, sculpture, photographs, film and video that deal with this often dark subject matter. The exhibition will address some of the most pressing issues of the postwar era. What has been the role of art in producing an image of the bomb and nuclear energy? Have nuclear art and images heightened or lessened anxieties about the atomic threat, or have they done both simultaneously? How should different expressive approaches to nuclear risk be understood? The themes explored in this exhibition will strongly resonate with the works on view in Takashi Murakami: The Octopus Eats Its Own Leg, which reflect Murakami’s own reckoning with the nuclear age.

Artists in the exhibition include: Carl Beam, Henry Busse, Blaine Campbell, Bruce Conner, Gregory Coyes, Robert Del Tredici, Wang Du, Harold Edgerton, Gathie Falk, Robert Filliou, Richard Finnie, Betty Goodwin, Adolph Gottlieb, Richard Harrington, David Hockney, Jenny Holzer, Robert Keziere, Roy Kiyooka, Bob Light and John Houston, Ishiuchi Miyako, Carel Moiseiwitsch, Andrea Pinheiro, Robert Rauschenberg, Mark Ruwedel, John Scott, Erin Siddall, Nancy Spero and Barbara Todd.

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It is two minutes to midnight

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May 11 – May 19, 2018

Opening Reception: May 11, 5 – 8PM

In partnership with the Bulletin of the Atomic Scientists, Weinberg/Newton Gallery presents a unique virtual reality experience by Ellen Sandor and (art)n artists Diana Torres, Azadeh Gholizadeh, and Chris Kemp. This VR was inspired by Martyl and produced in collaboration with Carolina Cruz-Neira and The Emerging Analytic Center at University of Arkansas at Little Rock. It Is Two Minutes to Midnight highlights recent heightened threats of nuclear warfare, growing tensions between nations, and climate change alongside scientific discoveries, like CRISPR genomic editing, that could improve healthcare and have other applications.

Ellen Sandor and (art)n artists Diana Torres, Azadeh Gholizadeh, and Chris Kemp in collaboration with Carolina Cruz-Neira

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Terry Ownby presents at Geomedia 2017

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Dr. Terry Ownby, Associate Professor of Photo Media at Idaho State University, presented a paper at the Geomedia 2017 international conference held at Karlstad University in Sweden. Ownby’s paper investigated the intersection of photographic, cartographic, and remote sensing methodologies used in the creation of his on-going nuclear photography series, “Hidden in Plain View: Human Contact with Nuclear Missiles.” The photographic series interrogates the interaction between tourists and citizens recreating and living within the boundaries of a U.S. National Park Service unit, which itself is within the boundaries of America’s first and still active Minuteman missile complex.

      Spaces of the In-Between, An Interdisciplinary International Conference   Karlstad, SWEDEN, 9-12 May 2017

From Trinity to Fukushima and Beyond : New Approaches to Nuclear Culture and the Nuclear Arts in the 20th and 21st Century

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This is the site of the world’s first nuclear explosion.  It occurred on July 16, 1945, at 5:29:45 a.m. Mountain War Time on the Alamogordo Bombing and Gunnery Range of the White Sands Proving Ground in the Jornada del Muerto desert in New Mexico.  The 20 kiloton “Trinity” explosion was the birth of the Atomic Age.

Peter Goin: This is the site of the world’s first nuclear explosion. It occurred on July 16, 1945, at 5:29:45 a.m. Mountain War Time on the Alamogordo Bombing and Gunnery Range of the White Sands Proving Ground in the Jornada del Muerto desert in New Mexico. The 20 kiloton “Trinity” explosion was the birth of the Atomic Age.

Graduate and Emerging Scholars Symposium From Trinity to Fukushima and Beyond

Saturday March 10, 2016 University of Montreal

Organizing Committee : Amandine Davre, Livia Monnet, Suzanne Paquet, Mathieu Li-Goyette.

For information on the conference contact Livia Monnet

rodica-livia.monnet@umontreal.ca

Conference keynote speaker Robert Del Tredici is a photographer and writer whose first encounter with the nuclear age occurred while documenting the 1979 reactor melt-down at Three Mile Island. He next travelled to Hiroshima and Nagasaki to meet and photograph survivors of the first atomic bombs. This was preparation for a six- year endeavour to document all twelve of the H-bomb factories throughout the United States. Along the way, he interviewed nuclear pioneers, atomic workers, radiation victims, and activists. He then tracked the Soviet Bomb, the attempted cleanup of the US nuclear weapons complex, Canadian uranium mines, and the site of the world’s oldest and largest uranium refinery, Port Hope, Ontario. He has published five books of photographs and text on the nuclear age.

His keynote presentation at the Nuclear Arts Conference will explore the concept of the Nuclear Uncanny — those shape-shifting, fleeting, everlasting, invisible, contradictory materials, energies, perceptions, and anxieties that permeate the nuclear age yet continually evade our grasp.  Del Tredici believes that the Nuclear Uncanny can be best captured in art.

 

Recent debates on the Anthropocene have proposed July 16, 1945 – the date of the Trinity nuclear test conducted in the Jornada del Muerto desert in New Mexico – as the official beginning of this human-induced geologic era. The Nuclear Age has produced a rich archive of nuclear-themed works and representations spanning all genres – post-apocalyptic dystopia, fantasy, horror, comedy, mystery fiction — and all media platforms, from the visual arts, literature, cinema, and television to comics, graphic novels, manga, and video games.

This graduate-and-emerging-scholars symposium proposes to examine some of the productions and mutations of the nuclear arts and cultures in the 20th and 21 centuries. The primary objective of the symposium is to establish a transnational network of young researchers and emerging scholars (MA, doctoral and postdoctoral students, junior scholars) working on the nuclear arts and nuclear culture in the US, Japan, India, France, UK, Germany, Australia, South and North Korea, China, Russia and elsewhere. The symposium also seeks to explore new approaches, theories, and methodologies for the analysis, interpretation, and reimagining of the global nuclear ecology in the arts and in popular culture – in particular in the current, post-Fukushima context when the danger of other nuclear accidents, and of nuclear proliferation in Asia seems imminent.

“Nuclear Families: From Trinity to Nagasaki”

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Society for Photographic Education 2017 National Conference

Atomic Tourist: Kate

Atomic Tourist: Kate Henning, Santiago, California, 2014

 

Speakers: Claude Baillargeon, Mary Kavanagh, Mark Klett, and Katy McCormick (P)

Saturday, March 11 – 9:00AM to 10:45AM
Orange EF

The concept of the nuclear family can be understood metaphorically with reference to the atomic age, which intrinsically connects humanity as a transglobal family. This panel focuses on three early milestones. Joining 5,000 pilgrims to the Trinity Site, Mary Kavanagh explores the global phenomenon of nuclear tourism and the anxieties of the new age. The crumbling facilities of Utah’s Wendover Airfield, where the Enola Gay prepared for its combat mission, are the subject of Mark Klett’s plea for historic preservation. Haunted by the gaze of a Nagasaki teenager suffering catastrophic burns, Katy McCormick grapples with the ethics of hibakusha photography.

SPE site

Photographing the Nuclear Body

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Maids of Muslyumovo, Chelyabinsk, Russia

Maids of Muslyumovo, Chelyabinsk, Russia

Photographer and Film Studies teacher Robert Del Tredici with curator John O’Brian will present images on the nuclear age at the Jarislowsky Institute (3rd floor, EV Bldg) on 16 February 2017, at 4:00 pm after a 2:00 tour of the Center for Contemporary Architecture exhibition “It’s All Happening So Fast.”

More information: https://www.concordia.ca/finearts/cinema/cunews/finearts/cinema/film-studies/2017/02/photographing-the-nuclear-body.html

Contact email: Marthalangford@sympatico.ca

elin o’Hara slavick: Illuminated Artifacts

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Atomic Mask, cyanotype (sunprint) of a fragment of a steel beam from the A-Bomb Peace Dome, from the Hiroshima Peace Memorial Museum archives, Hiroshima, Japan, 2008

Atomic Mask, cyanotype (sunprint) of a fragment of a steel beam from the A-Bomb Peace Dome, from the Hiroshima Peace Memorial Museum archives, Hiroshima, Japan, 2008

Art Exhibit: elin o’Hara slavick: Illuminated Artifacts

January 9 – February 3, 2017

Wilson Hall/Staniar Gallery

Using alternative photographic processes such as 19th century techniques and contemporary digital technology, elin o’Hara slavick’s conceptual practice revolves around the idea of making visible what we often do not see.  This exhibition features photographic works from After Hiroshima, images of A-Bombed artifacts made in Japan, and Found Walking, an ongoing series based on objects collected on meditative walks.  Both bodies of work are records of loss and hope, decay and survival, revealing the effects of time and the spectacular beauty of mundane things.  An activist, educator, mother, poet, critic, curator and artist, slavick never separates form from function, theory from practice, or utopian concept from material reality.  She is a Distinguished Professor at UNC, Chapel Hill, where she built the photography program.  Her work has been exhibited internationally and she is the author/artist of two monographs – Bomb After Bomb: A Violent Cartography (Charta 2007) with a foreword by Howard Zinn and essay by Carol Mavor and After Hiroshima (Daylight, 2014) with an essay by James Elkins.

https://www.wlu.edu/lenfest-center/current-season/art-exhibit-elin-ohara-slavick-illuminated-artifacts

The APG welcomes Terry Ownby.

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Terry OwnbyTE and TE Support Truck, Malmstrom AFB, Montana is associate professor of photo media, photo history, and visual culture at Idaho State University, USA. He holds a PhD in visual media studies, MA in media communication, and a BS in media/photography. His photography has been exhibited on the west and east coasts, along with numerous venues in the heartland. He has presented his research in Europe and the Middle East, with manuscripts in the library collections at Yale University. He is also a retired military veteran with nearly 23 years of service.

It’s All Happening So Fast: a Counter-History of the Modern Canadian Environment

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L Plutonium Production Reactor, Savannah River Site

L Plutonium Production Reactor, Savannah River Site

Canadian Center for Architecture, 1920 rue Baile. Vernissage: 7:00 pm
November 16 to April 9, 2017.

A thought-provoking group exhibition providing a critical review of Canada’s policies on environmental issues.

Photographer Robert Del Tredici has 9 large photographic prints in the nuclear section of the show. Entitled “Glimpses of Nuclear Ontario”, his images depict nuclear reactors, uranium processing facilities, and nuclear waste sites throughout Ontario, with a special emphasis on the town of Port Hope one hour east of Toronto.

In addition to teaching The History of Animated Film at the Mel Hoppenheim School of Cinema, Robert Del Tredici has been engaged in documenting the nuclear age. He has exhibited widely and produced five books of photos and text on the US nuclear weapons complex and the accident at Three Mile Island. He has documented protests, test sites, waste sites, nuclear pioneers, down-winders, and nuclear commemorations in Hiroshima, Russia, Kazakhstan, the USA, and across Canada. He has of late been particularly interested in the charming town of Port Hope (population 18,000), which hosts one of the oldest and largest uranium processing plants in the world. Over time the town has become contaminated with radioactive materials from routine operations from the uranium plant, as well as from materials dumped in ditches, used as fill, and released into nearby Lake Ontario. Port Hope is currently engaged in a $1.2 billion radioactive cleanup – the biggest municipal cleanup in Canadian history. Del Tredici has made many trips to Port Hope; his images of the town at the Center for Architecture provide a glimpse of the elusive issues at play in slow-motion in Canada’s most nuclear town and province.