APG News

SILENT BUT DEADLY : CHERNOBYL-FUKUSHIMA-SAN ONOFRE

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Atomic Photographer James Lerager is part of an exhibition on at BC Space in Laguna Beach, CA, called “SILENT BUT DEADLY : CHERNOBYL-FUKUSHIMA-SAN ONOFRE”.

James Lerager has been photographing and documenting nuclear sites since the 1980s. His work has been widely exhibited and published. He is the photographer / author of the book “In the Shadow of the Cloud: Photographs & Histories of America’s Atomic Veterans” and several monographs. James Lerager’s forthcoming book – a global perspective on the human and environmental consequences of the nuclear age – is currently in preparation.

sanonofreWhen San Onofre’s nuclear plant closed last summer, many breathed a sigh of relief. Yet San Onofre still requires a multi-decade ‘decommissioning,’ with radioactive fuel and components carted away to uncertain disposal, at further expense measured in hundreds of millions of dollars. Who profits and who pays is in dispute.

When the Chernobyl reactor exploded on April 26, 1986, the Soviet government initially kept it secret. Some 600,000 workers and soldiers were ordered to build the now crumbling Sarcophagus. Estimates of excess Chernobyl cancers range into the 100s of thousands, and the region will remain contaminated for 100s of years.

When the Fukushima nuclear power plant was overwhelmed by the earthquake and tsunami of March 11, 2011, three reactors melted down and Japan’s Prime Minister considered ordering the evacuation of Tokyo, which could have displaced tens of millions of people.

Some 400 commercial nuclear power reactors are operational around the world, 100 of them in the United States. The true costs of the nuclear era are largely unknown and generally suppressed. The unanswered question is whether or not we will continue to allow our leaders to drag us along a path toward a permanent nuclear dependency, with all its uncertainty and risks.

Dates: Febuary 25 – April 26, 2014

Artist’s Reception : Thursday Feb 27 : 7 pm

FEATURING : James Lerager : Jun Hori : Kei Kobayashi
ADDITIONAL WORK BY  : Ed Heckerman : Ron Azevedo

Film Screening : March 11 : Metamorphosis by Jun Hori : 7 pm
(3rd Anniversary of the 2011 Earthquake & Tsunami)

See more about this show here.

Nuclear photography: Making the invisible visible

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Nuclear photography: Making the invisible visible
Carole Gallagher

Published in The Bulletin of the Atomic Scientists November/December 2013 vol. 69 no. 6 42-46

In this essay, the author explores whether nuclear catastrophe is beyond the reach of art. A documentary photographer, she reflects on her own work capturing the lives of those who lived downwind of the nuclear tests conducted at the Nevada Test Site in the United States. Many years after being immersed in the project for a decade, and documenting the effects of 1,000 nuclear devices that had exploded above this population, the author finally arrives at the answer to her question.

American Ground Zero cancer Mormon Nevada nuclear test photography

When the atomic bombs were dropped on Hiroshima and Nagasaki in 1945, two types of photographs captured this gripping moment: those that showed a mushroom cloud on the horizon, and those that depicted devastated cities and the many survivors who had been burned beyond recognition. From that year until today, 125,000 nuclear warheads have been constructed, and nine countries have nuclear weapon capability (Kristensen and Norris, 2013). So when thinking about art and destruction, it might be fair to ask: Is art at all effective in reminding the world of the destructive impulses that lead to war, and is art effective in subduing humanity’s urge—and possibly need—to fight wars? The answer, at least in terms of art in the nuclear age, is possibly no. Art, when produced at a distance—from an artist studio or loft, say—cannot stop nuclear proliferation. It cannot stop a war.

Read the rest of the essay here.

Dan Budnik: Marching To The Freedom Dream

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News from Dan Budnik, Atomic Photographer

Dear friends and colleagues,Less than a month ago the Kickstarter campaign raised £ 10,000, which guaranteed the initial printing costs for the publication of my Civil Rights book,Marching To The Freedom Dream, to be published by Trolley Books in the Spring of 2014. It will consist of my comprehensive editing of three seminal marches that I photographed between 1958 and 1963.

August 28th of this year was the 50th anniversary of the March on Washington and Dr. King’s famous “I Have A Dream” speech. Commemorating this event, TIME magazine did a special double issue featuring my photograph of Martin Luther King, Jr. on the cover, with an additional four spreads inside this collector’s issue. On the same day Trolley Books started it’s Kickstarter campaign in London with an opening exhibition with my photographs of the three marches in their gallery.

I would like to thank all who contributed to make the first financial goal a swift reality. Now we are in the final week of the Kickstarter campaign and we are appealing to those who may want to contribute towards the total costs of £ 30,000 for a book that honors Dr. King’s non-violent legacy – also, I am very proud that none of my photographs contain any overt violence.My initial contribution of two original 8×10 inch gelatin silver prints of the TIME cover image were quickly sold, now in this last week we have decided to add several new attractive options for pledging. Among those are the limited edition of the book, the special signed cover of TIME magazine and two additional 8×10 inch gelatin silver images: Coretta Scott King and MLK, Jr. holding hands, and Rev. Frederick Shuttlesworth eulogizing the neo-martyr Jimmy Lee Jackson. Please consult the Kickstarter website for all existing options.
This book has been a dream of mine for many years. Now this dream is fast becoming a reality and it will be quite wonderful to see a beautiful publication that honors the leaders and “foot soldiers” who served and sacrificed to make the Civil Rights movement a global role model for all of mankind’s oppressed people. I thank you for your involvement and financial support.
With my regard and all good wishes,
Dan Budnik

Mary Kavanagh joins APG

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Mary Kavanagh is an artist, educator and arts administrator living and working in Lethbridge, Alberta, Canada, where she is Associate Professor in the Department of Art, Faculty of Fine Arts, at the University of Lethbridge.

Since 2007, she has been developing a body of work that examines and documents sites connected to the development of weapons of mass destruction, from the first atomic bomb, to cold war nuclear and chemical weapons testing programs, to the disposal of nuclear weapons stockpiling according to global treaty agreements. She has photographed and filmed at historic and active military sites, including Trinity, White Sands Missile Range, New Mexico; Los Alamos, New Mexico; Utah Test and Training Range, Utah; Wendover Airfield, Utah; and Hiroshima, Japan.

Click here to read her full bio and see more images.

Rocky Flats Museum Exhibition Installation

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Rocky Flats exhibition on 9News

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9News feature on APG, Interview with Bob Del Tredici
To watch the interview go here: http://www.9news.com/shows/mornings/291721/229/Nuclear-bomb-photos-on-display-in-new-exhibition

Article written by Blair Shiff
KUSA – Rocky Flats was a key part in the federal government’s pursuit to build nuclear weapons during the Cold War. There is an Arvada museum – dedicated to Rocky Flats – that has a new exhibit opening Friday night to honor the photographers who captured the day-to-day operations during the bombing complex’s peak.

Founding member of the Atomic Photographers Guild Robert Del Tredici stopped by 9NEWS to talk with 9NEWS BusinessReporter Gregg Moss about what pictures will be on display in addition to what his role was at the complex.

“I spent a lot of time photographing nuclear weapons all over America, and in the process, I met other photographers and said ‘Let’s join together,'” Tredici said.

Tredici explains how he was not affiliated with the government but did write a book on the bomb factories that he covered. He also clarified how his pictures were not concealed by the government.

“No, that’s a misconception. There was public-relation officials on site whose mission was to interface with the press,” Tredici said.

The pictures show several of the bombs from the Cold War as well as operations in the complex – which includes the making of bombs.

If you are interested in attending the event, it opens Friday at 5612 Yukon St.

Nate Chisholm contributed to this report.

(KUSA-TV © 2012 Multimedia Holdings Corporation)

Snapshots of the nuclear age

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From Our Colorado News, October 18, 2012

Rocky Flats may be closed, but its effects still cast a shadow
By Clarke Reader, Photo by Andy Carpenean

In an effort to offer a place for discussion from all parties, and to show all generations what the birth and progression of the nuclear age looked like, the Rocky Flats Cold War Museum has opened in Olde Town Arvada, 5612 Yukon St.

“We want to show the story of Rocky Flats from multiple perspectives — the environmental issues, the life of the workers and the people who protested it,” said Conny Bogaard, project manager. “The goal is to build a platform where the community can come together to examine the legacy.”
The museum’s inaugural exhibit is “Behind the Atom Curtain: Life and Death in the Nuclear Age,” an Atomic Photographers Guild collection of photos of the landscapes, people and aftermaths of nuclear testing and power plants. The exhibit runs through Nov. 30.

The exhibit is curated by Robert Del Tredici, the founder of the Atomic Photographers Guild, and features not only photos of the history of Rocky Flats, but also of the Trinity Explosion in Alamogordo, N.M., and photos from Yoshito Matsushige, the only photographer allowed to photograph Hiroshima after the bombing.
The social impacts are also documented with photos of protests after the disasters at Three Mile Island, Chernobyl and Fukushima.
“This exhibit is partly a story of Colorado and local concerns, but it also shows the global concern,” Bogaard said.

Local photographer Carole Gallagher, who has spent years documenting the lives of those affected by nuclear use, has a display of her works about people who lived near the testing in Nevada.
Gallagher, who grew up in New York City, said she was raised during the time of great fear of a nuclear strike being imminent.

“I always wondered what happened to the people who lived near the testing areas,” she said. “So in my work I focused on workers, downwinders and atomic veterans.”
Gallagher said she really came to admire the workers at these sites, who really put their lives on the line for their country. Many of Gallagher’s stark, black and white photos, show people who lived in Nevada while nuclear tests were going on and were told that they were safe, only to develop a wide-range of health issues, including a variety of cancers and bone diseases.
“This exhibit really has captured the first moments of the nuclear age, and when it will end we don’t know,” Gallagher said.

Bogaard is careful to note that the museum and its exhibit is not a condemnation of nuclear power or Rocky Flats, but is a place that brings to light issues about nuclear use that still are up for debate.
“We raise a lot of questions, and it’s not necessarily about having the answers,” she said. “Instead, we want it to be something people think and talk about, and come away with a new understanding.”

The museum is open noon to 4 p.m. on Wednesdays, Fridays and Saturdays.

For more information call 720-287-1717 or visit www.rockyflatsmuseum.org.

Rocky Flats Cold War Museum Exhibition

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Invitation to Atomic Photographers Exhibition Opening/Fundraiser Sept. 28

You are cordially invited to the opening of a photographic exhibition by the Atomic Photographers Guild: Behind the Atom Curtain: Life and Death in the Nuclear Age, on Friday, Sept. 28th from 6 to 10 p.m. at the Rocky Flats Cold War Museum, 5612 Yukon Street, Olde Town Arvada.

The Atomic Photographers Guild is an international group of photographers dedicated to making visible all aspects of the nuclear age. Founded 15 years ago by renowned photographer Robert Del Tredici, author of At Work in the Fields of the Bomb, the project initially focused on documenting nuclear factories and reactors throughout the USA, the former USSR, Canada and Europe. The Guild has since expanded dramatically and currently includes 26 members from all over the world, each having their own focus of interest. Special attention will be given to the former Rocky Flats Nuclear Weapons Plant. For 36 years, Rocky Flats produced the plutonium triggers needed for the U.S. nuclear arsenal. Del Tredici’s photos depict Rocky Flats near the start and toward the end of its operations.

Flanking the Rocky Flats photographic display are iconic images of first atomic photographers, Berlyn Brixner, photographer of the Trinity explosion at Alamogordo, NM, and Yoshito Matsushige, the only photographer to photograph inside Hiroshima, Japan, the day of the 1945 bombing. Other photographers focus on such nuclear issues as uranium processing, nuclear power, atomic testing and modern nuclear warhead deployments. The social and cultural impact of the nuclear age is addressed by focusing on the aftermath of nuclear accidents at Three Mile Island, Chernobyl and Fukushima.

Tickets are $20 per person for the opening event with a gallery talk by Del Tredici at 7 p.m. as well as food, drink and live music. RSVP by Sept. 24th through email to Conny Bogaard, Project Director, at cbogaard@rockyflatsmuseum.net

More information on the Atomic Photographers Guild can be found at: http://atomicphotographers.com/. For more information about the exhibit, visit: http://www.rockyflatsmuseum.org For parking information in the museum’s vicinity, visit: http://oldetownarvada.org/pdfs/downtown-arvada-parking-map.pdf