Nuclear Imaging


The Bendigo Magazine (Victoria, Australia) interviewed APG-er Jessie Boylan about her work. You can read it here: Nuclear Imaging – Bendigo Mag – Autumn 2016


“Sixty years after the black mist rained on Maralinga burning people and country, Australia’s nuclear history is being made visible through art.”
Writer: Sarah Harris – Photographer: David Field

“Jessie Boylan may just be proof of the adage that activists and artists are born rather than made, entering the world under not so much a star sign as a mushroom cloud of Cold War hostilities.
The global nuclear arsenal reached its peak of 65,056 weapons in her birth year when she was delivered of a pregnancy literally book-ended by the sinking of the Rainbow Warrior and the Chernobyl nuclear meltdown.
Now aged 30, the multi award-winning photomedia artist finds herself at the forefront of documenting the Australian anti-nuclear movement with its inextricable threads to war, mining, social and environmental justice as the Doomsday clock, once again, shows three minutes to midnight.
The Castlemaine-based mum-of-two is one of more than 36 (indigenous and non-indigenous) artists and two locals (the other, Montalto Sculpture Prize-winning master founder Craig MacDonald) whose works will feature in a major two-year national touring exhibition to commemorate the 60th anniversary of the atomic test series at Maralinga in South Australia, starting in September.
Black Mist Burnt Country spans seven nuclear decades from the apocalyptic bombing of Hiroshima, the post-war testing in the central desert, through the protests against Pacific testing in the ‘80s to the present day…”